As James Joyce wrote “The longest way round is the shortest way home.”
Part of the Pub Series, this is a preview of a new exhibition which follows Racheal’s journey through her ancestral Ireland.
A new exhibition for the 2019 Scotiabank CONTACT Photography Festival!
Come see the beauty in something unexpected.
Sometimes the simplest things are overlooked, and this installation is about the unsung artistry of utility covers. From Belgium to Morocco, there are surprises and similarities. It’s a different perspective on something you walk on every day…all in the comfort of an upscale pub environment.
The Peacock Public House
Part of the Official Commemorations for the 100th anniversary of Vimy Ridge, this exhibition is a photographic poem which looks at the beauty, the artistry, the skill and the sacrifice that embodied a young country coming of age.
Racheal has been presented with 2 Medals of Honour from France for her outstanding work on this project and the exhibition itself has been awarded the Mission Centenaire designation.
Givenchy en Gohelle
Maison des etudiants canadiens
Pierre Leon Gallery
Manitoba Legislative Building
Sunnybrook Veteran's Centre
Bata Shoe Museum
As the country celebrates the 150th anniversary of Canadian Confederation this year, the Bata Shoe Museum and Canada’s Walk of Fame are teaming up to mark this important milestone with a special exhibition showcasing the footwear of notable Canadian inductees who have contributed to our national culture in the fields of arts, literature, athletics, science, politics and entertainment.
Racheal’s captivating image of Catherine O’Hara as Lola Heatherton – with partner in crime Bobby Bittman (aka Eugene Levy) – is featured in this unique exhibition.
For 5 years Racheal created a gallery series of rehearsal and behind the scenes images called The Other Side of the Stage.
The series included powerful images and rare glimpses of the work that goes in to executing seemingly effortless productions such as Cirque du Soleil’s Amaluna, The Alvin Ailey Dance Theatre’s latest work, The Eifman Ballet’s Anna Karenina, and the Charlottetown Festival’s Evangeline. The work was presented through a series of curated galleries.
Though based in New York, they were displayed worldwide on a digital gallery platform. Her work proved to be extremely popular and averaged 2,000,000 visitors per gallery.
This was a mixed gallery presentation of the work done by both Racheal and her Square Circle students. Created and edited by Racheal, it was on display at the Centre For Social Innovation and images from the show have been requested by the Slaight Foundation.
Racheal’s work with Installation A furthered what she’d created with A Greener Lane: Seeing the Beauty in a Landfill, and was a dynamic look at the dichotomy between naturally conceived environment. It was presented as an outdoor gallery at the Evergreen Brickworks.